95 10 1573 https://facultyprojects.library.appstate.edu/files/original/5b508b68920ab1c32d2fed38cfaeb34d.jpg cdf3f6a2dd56b4004d83359ed49bccee IMC Kit Call Number 530.7 M594 Catalog Link <a href="http://wncln.wncln.org/record=b2153223~S2">Catalog Link</a> Contents Consists of a plastic and metal scale with markings in 1/2 oz. increments and a 16 oz. dishwasher safe bowl ; calorie counter booklet features nutrition information tables for over 500 foods School Subject Science Nutrition Grade Level 6 7 8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Metro weightminder diet scale Subject The topic of the resource Scales (Weighing instruments) Food -- Weights and measures Food -- Caloric content -- Tables Type The nature or genre of the resource Realia Description An account of the resource Measures the weight of food to help dieters control food intake ; calorie counter booklet helps dieters control caloric intake Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Michael, Frank (b. 1943). Gender Male Work Title of the musical composition. Fantasia, Op. 57. Berlin: Bote & Bock. I Introduzione II Martellato III Teneramente IV Giocoso V Estatico VI Tranquillo VII Cantando e sereno Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 8 minutes Description This piece was composed in 1983, and premiered in Marpurg, Germany in December of that year by Candida Schlabach. This is a challenging atonal piece that spans the full range up to Eb5 and requires timbre changes, quarter-tones, multiphonics, and glissandi. The first movement introduces an interval set that is developed throughout the subsequent movements. The extended techniques are substantiated with fingerings, although it may well be necessary to experiment to achieve the requested results. Date Range of Work 1983 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Michael: Fantasia Subject The topic of the resource Bassoon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Miereanu, Costin (b. 1943). Gender Male Work Title of the musical composition. Solo IV (Rhythmodies). Paris: Salabert. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 8.5 minutes. Description amplified bassoon Date Range of Work 1995 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miereanu: Solo IV Subject The topic of the resource Bassoon France French Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Source http://paulabrusky.com/program-notes/notes-mignone-waltzes Composer Mignone, Francisco (1897-1986). Gender Male Work Title of the musical composition. 16 Valsas para Fagote Solo. Bloomfield, NJ: LRO. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 2-5 minutes each Description These well-known pieces are pitch-centric and predominantly lyrical, although the technical demands and range requirements make some of the pieces very challenging. They were composed between 1979 and 1981, with the French basson in mind; consequently the upper register is exploited in some of the waltzes, even up to F#5. The LRO edition also includes the less well known Sonatina. Three of the waltzes, Apanhei-te, Valsa quasi Modinheira, and Pattapiada, were required pieces for the 1998 Gillet Competition sponsored by the IDRS. Discography (complete) Melodiya C10 28093 005 (LP) Andris Arnicans Sesc CD 6055/14 (CD) Fio Cury Funarte MMB 82.026 (LP) (LP) Noel Devos Funarte ATR 32020 (CD) Noel Devos Musical Heritage Society MHS 513565 (LP) Arthur Grossman Petrobras ASM CD003 (CD) Elione Medeiros MSR Classics MS 1110 (CD) Frank Morelli Mark MCD 1380 (CD) Barrick Stees (selected waltzes) A boa pascoa para voce, Devos Skylark SKY9901 (CD) Jesse Read Aquela Modinha Radio Classica CDC 0014 (CD) Andrea Merenzon Terra Voce Mark Ortwein Funarte MMB 82.028 (LP) Ricardo Rapoport HS 01CL (CD) Hary Schweizer Macunaima DSD 128 Georgui Chachikov Funarte MMB 81.020 (LP) Noel Devos Misterio Skylark SKY 9901 (CD) Jesse Read Pattapiada DSD 128 Georgui Chachikov Moosman MMC 2002 (CD) Carl Rath Valsa choro DSD 128 Georgui Chachikov Radio Classica CDC 0014 (CD) Andrea Merenzon Terra Voce Mark Ortwein Moosman MMC 2002 (CD) Carl Rath Skylark SKY 9901 (CD) Jesse Read Valsa da Outra Esquina Terra Voce Mark Ortwein Moosman MMC 2002 (CD) Carl Rath Valsa Improvisada Moosman MMC 2002 (CD) Carl Rath Reference The Double Reed 26/2 p. 43, 29/4 p. 148, 38/3 p. 156. Nationality Latin America, Central America, South America, Latin Date Range of Work 1979-1981 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mignone: 16 Valsas para Fagote Solo Subject The topic of the resource Bassoon Source A related resource from which the described resource is derived http://paulabrusky.com/program-notes/notes-mignone-waltzes Brazil Brazilian Discography Latin America Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Mignone, Francisco (1897-1986). Gender Male Work Title of the musical composition. Sonatina para Fagote Solo. Bloomfield, NJ: LRO. I Moderato II Andante III Allegro Description Composed in 1961, and uncharacteristically devoid of any Brazilian influences, this piece is atonal and places less emphasis on the upper register than the better-known waltzes. It is challenging, but ascends only to Db5. It is published together with the waltzes. Reference The Double Reed 29/4 p. 148. Date Range of Work 1961 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mignone: Sonatina Subject The topic of the resource Bassoon Source A related resource from which the described resource is derived http://paulabrusky.com/program-notes/notes-mignone-waltzes Brazil Brazilian Latin American Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Migot, Georges (1891-1976). Gender Male Work Title of the musical composition. Sonate. Toulouse: CANF. Date Range of Work 1953 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Migot: Sonate Subject The topic of the resource Bassoon France French https://facultyprojects.library.appstate.edu/files/original/1fd0ca128b10f8962466445af3c7fe31.jpg de6e7fefd5a5a5cdd82b44e18dfba470 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource North Carolina Nursing History Subject The topic of the resource Nursing history in North Carolina Creator An entity primarily responsible for making the resource Dr. Phoebe Pollitt Source A related resource from which the described resource is derived North Carolina Nursing History website http://nursinghistory.appstate.edu/ Date A point or period of time associated with an event in the lifecycle of the resource March 3, 2015 Contributor An entity responsible for making contributions to the resource Dr. Phoebe Pollitt Andrea A. Leonard Shelby N. Swansinger Language A language of the resource English Description An account of the resource Please click twice for full image Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mildred Irene Clark Woodson Subject The topic of the resource North Carolina Nursing Pioneers Military Nurses NC Nursing Pioneers https://facultyprojects.library.appstate.edu/files/original/abbc0904359b1a77adccbb698e652611.jpg 900c07a0a8145c07351d42cc3f3c4577 IMC Kit Call Number 345.73056 L258 Catalog Link <a href="http://wncln.wncln.org/record=b3263037~S2">Catalog Link</a> School Subject United States History Social Studies Grade Level 6 7 8 9 10 11 12 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Milestone documents in American history : exploring the primary sources that shaped America Subject The topic of the resource United States -- History -- Sources Creator An entity primarily responsible for making the resource Finkelman, Paul Lesh, Bruce A. Type The nature or genre of the resource book Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Mitsuoka, I. Work Title of the musical composition. Nightingales. Musical Evergreens. Reference Burchard Bulling Date Range of Work 1977 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mitsuoka: Nightingales Subject The topic of the resource Bassoon https://facultyprojects.library.appstate.edu/files/original/4060001db315f64fe6f3022d0d271ab3.jpg 94e77db42ef70cb22fd7021a211b1126 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource North Carolina Nursing History Subject The topic of the resource Nursing history in North Carolina Creator An entity primarily responsible for making the resource Dr. Phoebe Pollitt Source A related resource from which the described resource is derived North Carolina Nursing History website http://nursinghistory.appstate.edu/ Date A point or period of time associated with an event in the lifecycle of the resource March 3, 2015 Contributor An entity responsible for making contributions to the resource Dr. Phoebe Pollitt Andrea A. Leonard Shelby N. Swansinger Language A language of the resource English Description An account of the resource Please click twice for full image Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mobile X-Ray Unit Trailer, unknown location Publisher An entity responsible for making the resource available Albert Barden Collection, North Carolina State Archives Date A point or period of time associated with an event in the lifecycle of the resource 1947