65 10 1573 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Hirsch, Hans Ludwig (b. 1937). Gender Male Work Title of the musical composition. Drei Monodien. Frankfurt: Peters. I Allegro II Tranquillo III Con brio Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 7 minutes Description This work was composed in 1973. It is pitch-centric, motivic, and moderately challenging. The last movement includes some polyphony as well. While the music is mostly confined to the low and middle registers, it does ascend to Eb5. Date Range of Work 1973 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hirsch: Drei Monodien Subject The topic of the resource Bassoon Source A related resource from which the described resource is derived http://www.bach-cantatas.com/Bio/Hirsch-Hans-Ludwig.htm German Germany https://facultyprojects.library.appstate.edu/files/original/3d3e9b02048b180243c8ce69bdb84ccf.jpg 0b5559cbb9bee082e51680d2766720eb https://facultyprojects.library.appstate.edu/files/original/aab33656ec73e11641506454523f282b.jpg 83687fbcd04815662ea4d70d6953f574 IMC Kit Call Number 973.099 H673 Puzzle Catalog Link <a href="http://wncln.wncln.org/record=b4938809~S2">Catalog Link</a> School Subject History US History Social Studies Grade Level 1 2 3 4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource History of the American presidency Subject The topic of the resource Presidents -- United States Puzzles Description An account of the resource Extra large floor puzzle ; 2 x 3 feet Type The nature or genre of the resource Game Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Hodkinson, Sydney (b. 1934). Gender Male Work Title of the musical composition. Night Watch. Bryn Mawr, PA: Merion (Presser). Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 7 minutes Description The music is pitch-centric and rather busy without being more than moderately challenging. The full range is employed. Discography Clear Note (CD) Ashley Heintzen Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hodkinson: Night Watch Subject The topic of the resource Bassoon Source A related resource from which the described resource is derived http://www.sydhodkinson.com/Biography.html Canada Discography United States Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Hoey, Steven. Gender Male Work Title of the musical composition. Other Voice. Description Presented by Sara Schoenbeck at the California Institute of the Arts on February 5, 2006. Reference Julie Feves Date Range of Work 2006 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hoey: Other Voice Subject The topic of the resource Bassoon United States Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Holdeman, Charles. Gender Male Work Title of the musical composition. Bassoon Works¬—15 Etudes. Unpublished. Description Bassoon Works (tracks 1-15): 1) Giocoso e grazioso - 2) Autumn Music 2 - 3) Avec motion - 4) Autumn Music - 5) Upstart - 6) Lyrique - 7) Fast - 8) Slow and sustained - 9) Rubato - 10) Elegy - 11) ♪ (quarter note) = 92 12) Souple - 13) Free and rhapsodic - 14) Beer Glass - 15: Free tempo --- The CD also includes the “Cistern Cuts” (tracks 16-25), which are essentially recorded improvisations played inside a la large empty cistern, taking advantage of its unique acoustics. 16) Free tempo - 17) Multiphonic - 18) Harmonic - 19) Blue H - 20) Autumn Music - 21) Slash - 22) Dolce - 23) Dream - 24) Low B-flat - 25) Triple. Discography Soundhound Music CH1198 (CD) Chuck Holdeman Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Holdeman: Bassoon Works Subject The topic of the resource Bassoon Discography United States Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Holliger, Heinz (b. 1939). Gender Male Work Title of the musical composition. Three Pieces. Mainz: Schott. I Mathewmatics II Mar(t)(d)er aller Arten III Klaus-Ur Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 14 minutes Description The first two pieces were composed in 2001. Matthewmatics, dedicated to Mathew Wilkie, was extracted from the large orchestral work, COncErto?...ErtO?. Klaus-ur, dedicated to Klaus, was composed for the 51st International Competition of the ARD in 2002. The music is atonal, avant-garde and very challenging, requiring technical virtuosity up to F5 and extendied techniques, including multiphonics and multiphonic trills, glissandi, harmonics with the teeth on the reed, kiss tones, and tones produced through the bocal. References: Discography Oehms Classic OC 533 (CD) mvt. III only Lyndon Watts Date Range of Work 2001, 2002 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Holliger: Three pieces Subject The topic of the resource Bassoon Source A related resource from which the described resource is derived http://www.musinfo.ch/index.php?content=maske_personen&pers_id=20&setLanguage=en Discography Swiss Switzerland Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Holmström, Carita (b. 1954). Gender Female Work Title of the musical composition. Suite for Solo Bassoon (“The touring Musician”). Hämeenlinna, FIN: Edition Tilli. “Prologue” I “Alone – Homesickness” II “Practicing – Passacaglia quasi Tango” III “Flamenco” IV “Meditation – A Pastorale” V “Slightly Jazzy Sicilinne” Description Composed in Paris in 1992, this is a moderately challenging theater piece. The music is pitch-centric and evocative, as per the movement titles, and the acting required is rather minimal. Date Range of Work 1992 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Holmström: Suite Subject The topic of the resource Bassoon Finland Finnish Scandinavian https://facultyprojects.library.appstate.edu/files/original/ad51edf44e6bb3e64920aace349931e5.jpg 4d47deb44c990f33a6042ebe580c85ad IMC Kit Call Number 940.5318 H7547 Picture Catalog Link <a href="http://wncln.wncln.org/record=b2579044~S2">Catalog Link</a> School Subject History World History Holocaust Grade Level 6 7 8 9 10 11 12 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Holocaust Subject The topic of the resource Holocaust, Jewish (1939-1945) Concentration camps Jews -- Persecutions Description An account of the resource 1. Jews arrested during Kristallnacht, Buchenwald, 1938 -- 2. Jews captured during Warsaw Ghetto uprising, 1943 -- 3. Krakow Ghetto residents board deportation train, 1942 -- 4. Hungarian Jews arrive at Auschwitz, 1944 -- 5. Prisoners' barracks, Dachau, 1945 -- 6. Women: deloused, shaven, march to work, Auschwitz, 1944 -- 7. Prisoners with triangular badges, Sachsenhausen, 1938 -- 8. Prisoners haul cartloads of earth, Mauthausen, 1942 -- 9. Prisoners produce rifles in SS-owned factory, 1943 -- 10. Former prisoners stare at liberators, Buchenwald, 1945 -- 11. Auschwitz gas chamber & Dachau crematorium, 1945 -- 12. Survivors cheer American liberators, Mauthausen, 1945 Creator An entity primarily responsible for making the resource Wagner, Philip Morrissey, Janet Type The nature or genre of the resource picture https://facultyprojects.library.appstate.edu/files/original/151f007356e0a9f8de5b7d861a9c724f.jpg 9224e66df62f584b9d3ec580771b7a8d IMC Kit Call Number 372.35 H758 Catalog Link <a href="http://wncln.wncln.org/record=b2483413~S2">Catalog Link</a> Grade Level 6 7 8 School Subject Science Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Holt science & technology Subject The topic of the resource Physical sciences -- Study and teaching (Middle school) Life sciences -- Study and teaching (Middle school) Earth sciences -- Study and teaching (Middle school) Type The nature or genre of the resource kit Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Holzschuster, Karin. Gender Female Work Title of the musical composition. Gnomes, Owls and Bluebells: 30 Short Pieces. Vienna: AnselmaMusic. Description These are very easy tonal pieces for the beginning bassoonist. The accompanying illustrations are delightful. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Holzschuster: Gnomes, Owls and Bluebells Subject The topic of the resource Bassoon Austria Austrian