156 10 1573 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Wolfgang, Gernot (b. 1957). Gender Male Work Title of the musical composition. Dual Identity. Vienna: Doblinger. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 4 minutes Description This piece was composed in 2005 and dedicated to Judith Farmer. It is somewhat pitch-centric and jazz-rock informed, especially in the outer sections of the ternary structure. The range extends to Db5, and there are three multiphonics with suggested fingerings. Performers are encouraged to experiment, however. No other extended techniques are required. This is a moderately challenging and fun piece. Discography Albany TROY 854 (CD) Judith Farmer Reference The Double Reed 29/3 p. 144, 31/2 p. 142. Date Range of Work 2005 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wolfgang: Dual Identity Subject The topic of the resource Bassoon Source A related resource from which the described resource is derived http://www.gernotwolfgang.com/bio/ Austrian Discography United States Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Title Title of the film. Wooers of Mountain Kate Year Year of the film's release. 1912 Director Name (or names) of the person who produced the video Allen Dwan Studio Studio responsible for production of film American Actors name (or names) of the person who acted in the video. Pauline Bush; Marshall Neilan Plot Summary Short summary of the action of the film. An odd character, this Mountain Kate; living in the hills, rather unkempt but strikingly attractive to three suitors who live in habitations identically the same as the object of their adoration. Kate selects the man of her choice, but one of his rivals soon manages to secure her for himself. A triangular struggle ensues, and after the excitement has subsided, Mountain Kate is again left to lead the lonesome life of a hermit. - Written by Moving Picture World synopsis Jerry Williamson Notes Notes taken from Jerry Williamson's Southern Mountaineers Filmography. Mountain Kate is wooed by three suitors. "A triangular struggle ensues, & after the excitement has subsided, Mountain Kate is again left to lead the lonesome life of a hermit." Character Types Descriptions of character types present in the film. Mountain hermit Mountain woman Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wooers of Mountain Kate Subject The topic of the resource Appalachian Film https://facultyprojects.library.appstate.edu/files/original/5d4ab1ef80b62887fc938996694dd107.jpg 07f1f1b4144f31b647ba988c341cde2b IMC Kit Call Number 372.43 C329wo Catalog Link <a href="http://wncln.wncln.org/record=b3715440~S2">Catalog Link</a> School Subject English Language Reading Grade Level 1 2 3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Word callers : small-group and one-to-one interventions for children who read but don't comprehend Subject The topic of the resource Reading -- Remedial teaching Reading comprehension Individualized instruction Description An account of the resource A centerpiece of Word Callers is an assessment and intervention developed by Kelly Cartwright that uses word and picture cards to measure and support readers' sound-meaning flexibility-an ideal resource for Tier 2 and Tier 3 RTI instruction. Kelly's research shows that your word callers can "unglue" from print and improve their comprehension in as few as 5 lessons. Creator An entity primarily responsible for making the resource Cartwright, Kelly B. Type The nature or genre of the resource flash card https://facultyprojects.library.appstate.edu/files/original/821ee9296235e3ecfe03cdf59ad1e05d.jpg fc402afe17037fd69707179b59a36313 IMC Kit Call Number 372.873 W927 Kit Catalog Link <a href="http://wncln.wncln.org/record=b2563354~S2">Catalog Link</a> Grade Level K 1 2 School Subject Music Social Studies Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource World rhythm experience Subject The topic of the resource Rhythm bands and orchestras Musical instruments Description An account of the resource Includes six popular rhythm instruments from around the globe. The accompanying interactive CD teaches as it entertains with children's songs created specifically to highlight these instruments Type The nature or genre of the resource kit Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Yasinitsky, Gregory W. (b. 1953). Gender Male Work Title of the musical composition. Godfather of Soul. Pullman, WA: Yazz Music. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 4 minutes Description Composed in 2007 for Ryan Hare, this piece pays tribute to James Brown. It is pitch-centric, ascends to C5, and is only moderately challenging, although it does require familiarity with the appropriate blues/jazz style. Reference The Double Reed 30/4 p. 93. Date Range of Work 2007 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yasinitsky: Godfather of Soul Subject The topic of the resource Bassoon Source A related resource from which the described resource is derived http://www.societyofcomposers.org/members/GregoryYasinitsky/ United States Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Yokoyama, Shin-Itchiro. Gender Male Work Title of the musical composition. Divertissement. Self-published. I Allegro II Valse III Ostinato IV Finale Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 7.5 minutes Description This piece was composed in 2003 and revised in 2011. It is dedicated to the composer’s wife, Kaori. As suggested by the title, the music is lightweight and tuneful. It is conservatively tonal and makes considerable use of self-accompaniment. While the technically the piece is moderately easy, the range does extend to Eb5. Date Range of Work 2003, 2011 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yokoyama: Divertissement Subject The topic of the resource Bassoon Asian Japan Japanese Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Younan, Elizabeth (b. 1994). Gender Female Work Title of the musical composition. Fantasia No. VIII. Sydney: Australian Music Centre, 2022. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 11 minutes. Description Composed in 2022 and dedicated to Matthew Kneale, this very challenging work was a required piece for the 2024 Fernand Gillet-Hugo Fox International Bassoon Competition, sponsored by the IDRS. The full expressive and technical aspects of the bassoon are explored, even up to high F5. Reference DR 47/1 p. 20. Date Range of Work 2022 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Younan: Fantasia No. VIII. Subject The topic of the resource Bassoon Australia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Source http://www.yun-gesellschaft.de/e/bio.htm Composer Yun, Isang (1917-1995). Gender Male Work Title of the musical composition. Monolog. Berlin: Bote & Bock, 1985. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 11 minutes Description Originally conceived for bass clarinet, the composer created the version for bassoon in 1984. It was premiered by Alexandre Ouzounoff in 1985. The music is based on atonal cells, and is intended to sound rather improvised. The music is very challenging, with extensive use of the high register up to E5. Extended techniques (pitch bending and various tremolos) are required. This piece was included in the annual Paris Conservatory Concours of 1998. It was also included in the second round of the Markneukirchen 2006 International Bassoon Competition, and was a required piece for the Fernand Gillet-Hugo Fox 2016 Bassoon Competition sponsored by the IDRS. Discography MDG 603 0831-2 (CD) Dag Jensen Spektral SLR4-08035 (CD) Stefanie Liedke Q Disc Q 99001 (CD) Bram van Sambeek Daphne DR 1007 (CD) Knut Sstevold Thorofon CTH 2099 (CD) Masahito Tanaka Contr 1644-2 (CD) Alexander Voigt Reference The Double Reed 29/3 p. 39, 38/3 p. 15. Nationality Asian, Asia Date Range of Work 1984 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Yun: Monolog Subject The topic of the resource Bassoon Source A related resource from which the described resource is derived http://www.yun-gesellschaft.de/e/bio.htm Asia Asian Discography South Korea South Korean Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Zannoni, Davide (b. 1958). Gender Male Work Title of the musical composition. Sandro. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 6 minutes Description Comments: Composed for Vitaliano Gallo, principal bassoonist of the Sanremo Symphony, this is the fifth piece from “The Book of Friends,” a series of short and flashy character studies for various instruments. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zannoni: Sandro Subject The topic of the resource Bassoon Source A related resource from which the described resource is derived http://www.davidezannoni.com Italian Italy Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Zapf, Helmut (b. 1956). Gender Male Work Title of the musical composition. Etwas defekte Schaukel. Leipzig: Hofmeister. Description This piece is included in Zeitgenössische Fagottmusik, edited by Dieter Hähnchen. Suggested fingerings for many of the extended techniques and are provided, taken from Bruno Bartolozzi’s seminal book, New Sounds for Woodwind (London: Oxford University Press, 1967) and/or Sergio Penazzi’s Metodo per Fagotto (Milan: Ricordi. 1972), but these are not always reliable. Be prepared to experiment. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zapf: Etwas defekte Schaukel Subject The topic of the resource Bassoon Source A related resource from which the described resource is derived http://www.helmutzapf.com/e/index_d.php German Germany