127 10 1573 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Scott, Kevin (b. 1956). Gender Male Work Title of the musical composition. Three Short Pierces. Prelude Meditation ? Date Range of Work 2014-15 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scott: Three Short Pierces Subject The topic of the resource Bassoon United States https://facultyprojects.library.appstate.edu/files/original/f585ba75e688440f96c507a00bef77cf.jpg 25c40ed08c703f7d0cb7a269026ce6e3 IMC Kit Call Number 793.734 S433 Game Catalog Link <a>Catalog Link</a> Grade Level 3 4 5 6 7 8 School Subject English Language Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Scrabble crossword game: every word's a winner Subject The topic of the resource Scrabble (Game) Board games Description An account of the resource The object: Players form interlocking words, crossword fashion, on a board using letter tiles of different values. Each player competes for high score by taking advantage of the letter tiles, as well as the premium squares on the board Type The nature or genre of the resource game https://facultyprojects.library.appstate.edu/files/original/0b88f7eea2f03540a53ed78fbb0c707a.jpg e19a6683ef76bce7a5492e7a8f5fda63 IMC Kit Call Number 306.875 D542se Big Book Catalog Link <a href="http://wncln.wncln.org/record=b3207246~S2">Catalog Link</a> Grade Level K School Subject Health Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource See how we grow Subject The topic of the resource Twins -- Juvenile literature Big books Creator An entity primarily responsible for making the resource Diaz, Katacha Type The nature or genre of the resource big book https://facultyprojects.library.appstate.edu/files/original/33d25d6c29f54fec6a03fc2e0d880735.jpg 143ffef26269a93c2975feba587b62c7 IMC Kit Call Number 419 S451 Game Catalog Link <a href="http://wncln.wncln.org/record=b5194373~S2">Catalog Link</a> Grade Level 2 3 4 5 6 School Subject English Language Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource See it and sign it: American Sign Language game Subject The topic of the resource Board games American Sign Language -- Study and teaching Sign language -- Study and teaching Description An account of the resource Gives practice in matching signs to words, signing and finger spelling. Includes 60 words: 10 words in six different categories (action, animals, colors, feelings, food, people), plus the alphabet and numbers 1 to 10 Creator An entity primarily responsible for making the resource Lopez, Joyce de Julia, Ovida Type The nature or genre of the resource game Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Seely, Zach. Gender Male Work Title of the musical composition. Orozco. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 16-35 minutes. Description This piece was composed in 2016-7 and dedicated to Stefan Kerstan, who gave the premiere in Leipzig on July 1, 2017. The music is avant-garde, with an emphasis on multiphonics and multiphonic tremolos, although timbral trills, harmonics, microtones, improvisation, pitch bending, and tongue slaps are also featured. The notation is unusual, featuring six staves denoting jaw pressure, vowel shapes, reed position, fingering tablature, dynamics, and traditional notation. The full range up to Eb5 is employed, although most of the music is confined to the middle register. The performance duration varies, depending on the amount of improvisation used. Reference http://www.zachmusicseely.com U.S. Date Range of Work 2017 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Seely: Orozco. Subject The topic of the resource Bassoon Source A related resource from which the described resource is derived http://www.zachmusicseely.com Germany United States Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Senanes, Gabriel (b. 1956). Gender Male Work Title of the musical composition. Aerofagot. Buenos Aires: Ediciones Eldorado. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 3.5 minutes Description This moderately challenging three-movement work was composed for Andrea Merenzon in 1989. It is pitch-centric and ascends to D5. The first movement is very lyrical and flexible, the second smacks of relaxed jazz, and the third movement is a scherzo. Discography Circe 2011 (Cassette) Andrea Merenzon Reference The Double Reed 21/3, p. 57. Date Range of Work 1989 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Senanes: Aerofagot Subject The topic of the resource Bassoon Argentina Discography Latin America https://facultyprojects.library.appstate.edu/files/original/f1ea501fa43a326febcc5220f3600dfd.jpg a31a8647658a14e5e49f7aae6a9b16a8 IMC Kit Call Number 372.623 S478 Game Catalog Link <a href="http://wncln.wncln.org/record=b2598715~S2">Catalog Link</a> Grade Level 2 3 4 5 School Subject English Language Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sentence challenge Subject The topic of the resource English language -- Sentences -- Study and teaching Grammar, Comparative and general -- Sentences -- Study and teaching Educational games Description An account of the resource Board game that facilitates the learning of sentence structure and building through use of who, what, where and when phrases Type The nature or genre of the resource game https://facultyprojects.library.appstate.edu/files/original/d110030fc1a25b9bc2ccf41201af6285.jpg 596e53a107229e1730f026067f452d65 IMC Kit Call Number 372.21 S479 Puzzle Catalog Link <a href="http://wncln.wncln.org/record=b2631277~S2">Catalog Link</a> Grade Level PK K 1 School Subject Early Childhood Sequencing Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sequencing readiness puzzles Subject The topic of the resource Puzzles Causation Description An account of the resource 10 puzzles (3 pieces each) : col. ; in box 19 x 19 x 4 cm Type The nature or genre of the resource game Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Sestak, Zdenek (b. 1925). Gender Male Work Title of the musical composition. Cinque Invenzioni per Virtuosi del Fagotto. Prague: Panton. I Recitativo, molto rubato II Allegro giocoso III Seriosamente, pensieroso IV Molto allegro, quasi adiratamente V Recitativo, molto inquieto e rubato Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 12 minutes Description These pieces were composed in 1969 for F. Stenhovi. They are atonal, with a great variety of textures and moods. The outer movements in particular are very lyrical and expressive. As the title states, these pieces are very challenging technically. The top-most pitch is C#5. Discography Crystal CD 842 (CD) David Breidenthal Melodiya C10-14295/96 (LP) Valeri Popov Date Range of Work 1969 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sestak: Cinque Invenzioni Subject The topic of the resource Bassoon Source A related resource from which the described resource is derived http://www.musicbase.cz/composers/955-sestak-zdenek/ Czech Republic Discography Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Seymour, John Chow. Gender Male Work Title of the musical composition. Bass Lauwiliwilinukunuku’oi’oi. Description This piece was composed for Philip Gottling, and was premiered by him at the University of Hawaii on April 22, 2010. The title, roughly translating as “ Bass long-nosed fish that flutters about like a leaf,” alludes to Schulhoff’s seminal Bass Nachtigall. The piece is moderately challenging, and includes a written low A1, which can be played with an extension if no suitable contra is available. There is also an “ossia” that eliminates this note. Reference The Double Reed 33/2 p. 44. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Seymour: Bass Lauwiliwilinukunuku’oi’oi Subject The topic of the resource Contrabassoon Source A related resource from which the described resource is derived http://johnchowseymour.com/index.shtml contra United States