101 10 1573 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Source http://www.sfca.org/roger-nixon-living-music-initiative/ Composer Nixon, Roger (1921-2009). Gender Male Work Title of the musical composition. Variations for Bassoon. San Diego: Kjos. I. Andante cantabile II. Allegro molto III. Larghetto IV. Allegretto scherzando V. Presto VI. Cadenza, molto rubato VII. Andante cantabile Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 5 minutes Description Composed in 1978 and dedicated to Walter Green, this is a set of atonal variations on a twelve tone row. The variations explore various (and sometimes tonally inflected) partitions of the ingeniously developed row, rather than employing traditional variation techniques on the lyrical theme. The piece is challenging, but worthwhile. The range extends to C5. Nationality United States, Canada Date Range of Work 1978 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nixon: Variations for Bassoon Subject The topic of the resource Bassoon Source A related resource from which the described resource is derived http://www.sfca.org/roger-nixon-living-music-initiative/ United States Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Nordensten, Frank Tveor (b. 1955). Gender Male Work Title of the musical composition. Poema del sol-posto: Four Studies for Bassoon Solo, Op. 13B. Oslo: Norwegian Music Information Centre. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 14 minutes Date Range of Work 1977 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nordensten: Poema del sol-posto Subject The topic of the resource Bassoon Source A related resource from which the described resource is derived http://www.listento.no/mic.nsf/doc/art2002100810052640056305 Norway Norwegian Scandinavian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Nordentoft, Anders (b. 1957). Gender Male Work Title of the musical composition. Sounds from the Ground. Copenhagen: Wilhelm Hansen. Four movements Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 13 minutes Description The music, composed in 2010, is moderately challenging, atonal, and often somewhat pointillistic, especially in the quick outer movements. The inner movements are more contemplative. The manuscript facsimile is difficult to read. There is also a later version for tenor sax. Date Range of Work 2010 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nordentoft: Sounds from the Ground Subject The topic of the resource Bassoon Danish Denmark https://facultyprojects.library.appstate.edu/files/original/dda4cecadabddef98e4f014409783c5a.jpg 61c58bc90553270b103127dff6ef5a24 IMC Kit Call Number 970.00497 N8791 1990 Picture Catalog Link <a href="http://wncln.wncln.org/record=b1778434~S2">Catalog Link</a> School Subject Social Studies History US History American Indians Grade Level 4 5 8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource North American Indians : native American tribal groups at contact and their culture areas Subject The topic of the resource Indians of North America Indians of North America -- Languages Indians of North America -- Maps Description An account of the resource One side of the poster is a map of North America. The reverse side is an alphabetical list of North American Indian tribes and and twelve drawings of representative Indian dwellings. The listing for each tribe gives that tribe's culture area, language group, and subsistence pattern Creator An entity primarily responsible for making the resource Taylor, Jennifer N. Type The nature or genre of the resource picture https://facultyprojects.library.appstate.edu/files/original/3ef0ff4f14d48f582a63061628f665f1.jpg 015d0b8515caf576904586f9e69b6b86 IMC Kit Call Number 372.357 N864 Kit Catalog Link <a href="http://wncln.wncln.org/record=b3083355~S2">Catlog Link</a> Grade Level 4 5 6 School Subject Science Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource North Carolina geology and mining Subject The topic of the resource Natural resources -- North Carolina Earth sciences -- North Carolina -- Study and teaching (Elementary) Rocks -- North Carolina -- Study and teaching (Elementary) Mineralogy -- North Carolina -- Study and teaching (Elementary) Geology -- North Carolina -- Guidebooks Description An account of the resource 1 fact sheet ([2] p.), 1 minerals pamphlet (8 p.), 3 brochures (folded to 22 x 10 cm.), 1 rock and mineral collection (25 specimens in bag w/instruction sheet) Type The nature or genre of the resource kit https://facultyprojects.library.appstate.edu/files/original/fcf2fee67a9a06a077863be21e96f49f.jpg 552d3782446dc36857679ff3679ef38f IMC Kit Call Number 372.7 N864 Gr.K-5 Bucket Balance Catalog Link <a href="http://wncln.wncln.org/record=b3267572~S2">Catalog Link</a> Grade Level K 1 2 3 4 5 School Subject Math Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource North Carolina math connects Subject The topic of the resource Mathematics -- Study and teaching (Primary) -- Textbooks Description An account of the resource 2 v. : col. ill. ; 31 cm. + 2 v. teacher ed. + 2 aligned student texts + 2 aligned teacher ed. + 1 flipchart + 15 teacher resource texts + 1 big book + 12 student readers + 1 student reader teacher guide + 1 teacher resource CD-ROM + 1 student resource CD-ROM + 1 student resource audio CD (gr. K-1) + 1 ELL teacher resource + 2 totes of assorted manipulatives (one is gr. K-2) + 1 DVD teacher resource w/guide (gr. K-6) + 1 magnetic manipulative kit (gr. K-5) + 1 NC correlation (gr. K-5) Creator An entity primarily responsible for making the resource Altieri, Mary Behr Type The nature or genre of the resource kit https://facultyprojects.library.appstate.edu/files/original/307f9848e3319586bccb1bae881baf28.jpg c070a47dd1efb9caa602535b614cd24e IMC Kit Call Number 975.6 N8642 Catalog Link <a href="http://wncln.wncln.org/record=b1865221~S2">Catalog Link</a> School Subject Social Studies NC History American History Grade Level 4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource North Carolina: the tar heel state Subject The topic of the resource North Carolina -- Geography -- Study and teaching Puzzles Type The nature or genre of the resource Game https://facultyprojects.library.appstate.edu/files/original/b9f66151c3faa3e14b2a2d6aaf6361b2.jpg 9a11df138ac490f229a929c5a86ff01c IMC Kit Call Number 372.7044 N971 Catalog Link <a href="http://wncln.wncln.org/record=b3451423~S2">Catalog Link</a> Grade Level 3 4 5 6 7 8 School Subject Math Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Numbers league Subject The topic of the resource Mathematics -- Study and teaching -- Activity programs -- Games Mathematical recreations Educational games Description An account of the resource "Build a team of superheros and use basic math skills to rid Infinity City of villains and save the day. The more you play the sharper these skills will become until no villain is safe from your numerical onslaught. The game includes two levels of play. Villains lurk in the streets of Infinity City and the only hope is the Numbers League. Assemble your team of Superheroes, use the sum of their incredible powers and ingenious devices to capture as many villains as you can. Numbers League - Adventures in Addiplication is a stand alone superhero themed card game where your basic math skills can save the day. The more you play the sharper these skills will become until no villain is safe from your numerical onslaught. Included in the box are 48 different Villains on 24 double sided cards, 21 device cards, and 75 Superhero body parts (25 heads, 25 chests, and 25 legs), four note pads and a full color rules booklet with instructions in English, German, French, and Spanish."--Amazon.com Creator An entity primarily responsible for making the resource Crenshaw, Ben Pallace, Chris Type The nature or genre of the resource game Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource bassoONLY: Unaccompanied Bassoon Music Resource Collection Creator An entity primarily responsible for making the resource Jon Beebe Description An account of the resource bassoONLY is a database devoted to music for unaccompanied bassoon. To use this resource, apply keywords at the top right. Keywords may be used to locate works using a wide variety of parameters, such as a particular composer and/or title, instrumentation (e.g. contrabassoon), gender, a country or nationality (e.g. Venezuela or Venezuelan), a duration (e.g. 6 minutes), a compositional style (e.g. avant-garde or jazz), range limit (e.g. C#5), difficulty level (e.g. moderately easy), extended techniques in general or one in particular (e.g. multiphonics or singing while playing), or a year of composition. The resource is incomplete, and additions and corrections are welcomed. Please contact Jon Beebe at beebejp@appstate.edu if you are able to offer assistance. The repertoire for unaccompanied bassoon is valuable for a number of reasons. Whether music is chosen for study or performance, the technical challenges are often formidable, bringing into play parameters such as texture and color that might be less salient in accompanied music. Just as an extended monologue is a supreme test for an actor, so too is the unaccompanied solo, of which a performer must have an intimate knowledge that transcends the superficial aspects in order to present a truly engaging performance. This can be especially challenging, given the diversity and complexity of modern musical techniques, languages, and styles. And finally, the better pieces seem to embody the intrinsic personae of one of the most idiosyncratic, challenging, and unique musical instruments. How the Difficulty Levels Are Applied to the Music The compositions on this site have been divided into five difficulty levels: Easy, Moderately Easy, Moderately Challenging, Challenging, and Very Challenging. While there is no absolute formula, six factors have been considered in determining an appropriate level for each piece: 1. top-most pitch and extent of high register usage 2. key signatures/changes or accidentals 3. clef 4. rhythmic/metric complexity 5. amount of conjunct vs. disjunct motion 6. the use of extended techniques. Music Resource A reference source for music research and performance practice. Composer Núnez, Federico (b. 1976). Gender Male Work Title of the musical composition. Ktenon. Blacksburg, VA: Cayambis Music Press. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 5 minutes Description This moderately easy piece is pitch centric and somewhat minimalist, and includes glissandi. The title means “dark night” in the language of a people group from Patagonia. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Núnez: Ktenon. Subject The topic of the resource Bassoon Argentina Latin America https://facultyprojects.library.appstate.edu/files/original/59d59940c462de5fe2c6bba0347afe30.jpg 7788e7d5fed108b18c890d0a6930c0ac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chest x-ray van in eastern NC to screen for tuberculosis 1950s, 1960s Creator An entity primarily responsible for making the resource Phoebe Pollitt Date A point or period of time associated with an event in the lifecycle of the resource 1950s , 1960s Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource North Carolina Nursing History Subject The topic of the resource Nursing history in North Carolina Creator An entity primarily responsible for making the resource Dr. Phoebe Pollitt Source A related resource from which the described resource is derived North Carolina Nursing History website http://nursinghistory.appstate.edu/ Date A point or period of time associated with an event in the lifecycle of the resource March 3, 2015 Contributor An entity responsible for making contributions to the resource Dr. Phoebe Pollitt Andrea A. Leonard Shelby N. Swansinger Language A language of the resource English Description An account of the resource Please click twice for full image Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nurse and others operating a mobile x-ray screening clinic in Eastern NC 1950s Creator An entity primarily responsible for making the resource Phoebe Pollitt Date A point or period of time associated with an event in the lifecycle of the resource 1950s 1950s eastern NC public health Tuberculosis